By Walter Rutledge
Please excuse my self indulgent opening digression. It is the perfect example of history being rewritten and romanticized to create propaganda more palatable to the American founding fathers myth. . Continue reading
By Walter Rutledge
Please excuse my self indulgent opening digression. It is the perfect example of history being rewritten and romanticized to create propaganda more palatable to the American founding fathers myth. . Continue reading
By Walter Rutledge
The Alvin Ailey American Dance Theater presented a Brooklyn dance series June 6th thru 11th at the Brooklyn Academy of Music (BAM). The six-day seven performance series offered two well curated programs of new works and Ailey classics. The Saturday evening performance consisted of four works by four modern dance luminaries, Kyle Abraham, Robert Battle, Ron Brown and Paul Taylor. Continue reading
Dancer and choreographer Alvin Ailey revolutionized the world of dance by honoring the African American experience. Unfortunately his personal journey was not without its struggles.
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Dancers Valentina Kozlova and Sven Toorvald performs choreographer Margo Sappington‘s Rodin inspired duet The Kiss Continue reading
By Walter Rutledge
An American Ballet Story is the long-awaited documentary about the rise and fall of the Harkness Ballet. The company and school had an almost mythical two-decade impact on dance and helped changed the artform forever. The 94-minute documentary, which was seven years in the making, tells the unvarnished story of the now defunct and largely forgotten Harkness Ballet of New York. Continue reading
By Margo Sappington
Vicente Nebrada called me in 1973 because he had seen my ballet “Weewis” which I choreographed for the Joffrey Ballet. It was a ballet for 3 couples set to a commissioned score for rock band and chamber orchestra. He said the Harkness Ballet needed something like that for their repertoire and I said, “Well, I do have something else in mind.” He stated that would be up to Mrs. Harkness and I would need to discuss it with her.
I’ve Been Around (Excerpt from upcoming book of the same name)
By Lawrence Leritz
I arrived in NYC on a Sunday afternoon during the intense summer heat of early July, 1974. David Howard, co-director of Harkness House, recommended that I stay at The East End Hotel, a rundown boarding hotel on the East River near Harkness House, which was located on East 75th off Fifth Avenue. Most of the dancers were there for the six-week intensive summer session.
I Cherish Those Days
By Luc Louis de Lairesse
Now 44 years ago, Nikita Talin (director) and Rebekah Harkness invited me teach and choreograph for what grew into the Harkness Dance Theatre. The next spring of 1980, Mrs. Harkness, in a private meeting, arranged for my working permit as her administrator, Mr. Bartwink, called the White House. I was impressed to say the least! Continue reading
By Walter Rutledge
Jamel Gaines Creative Outlet Dance Theater of Brooklyn (JGCO) presented Remembering… on February 17th and 18th at BAM Fisher, Fishman Space. The 70-minute one act was an extremely enlightening audience friendly black history celebration. This multi-media event is a perfect example of art as education. Continue reading
Rihanna opened the show with a rousing rendition of her hit song, “Bitch Better Have My Money” and then pumped up the crowd with her dance hits “Where Have You Been” and “Only Girl (In The World).” She kept the energy up with new arrangements of “We Found Love” and “Rude Boy.”
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