3/19/21 O&A NYC SHALL WE DANCE FRIDAY: DTH On Demand Presents: Firebird- (Last Day to Watch it !)



Dance Theatre of Harlem’s iconic Firebird places the Russian folk tale about a magical bird that triumphs over evil in an exotic Caribbean setting. John Taras’ choreography to Stravinsky’s familiar score was further enlivened by sets and costumes by Geoffrey Holder. The 1982 DTH production was a tremendous worldwide success.

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2/13/21 O&A NYC GOING BACK TO AFRICA WITH WaleStylez: Magical Africa Rain Dance

“This was in light of the during the Western Cape drought and I performed the Rain Dance in the middle of the Theewaterskloof Dam, of which is the main reservoir that had dried up.About a week or two after dancing at the reservoir, it started raining in the Western Cape.”Kitty Phetla
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2/12/21 O&A NYC SHALL WE DANCE FRIDAY: Passage – DTH On Demand

The Dance Theatre of Harlem premiered Passagechoreography by Claudia Schreier, during the 2019 DTH 50th anniversary season. Continue reading

8/1/20 O&A NYC SATURDAY MORNING CONCERT: Maria Kochetkova & Daniil Simkin – ‘Le Corsaire’ Pas de Deux

“I danced this pas de deux from the ballet ‘Le Corsaire’ with the wonderful ballerina Maria Kochetkova in August 2009 at the World Ballet Festival in Tokyo, Japan”- Daniil Simkin.
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6/12/20 O&A NYC SHALL WE DANCE FRIDAY: Creole Giselle (DTH On Demand)

When the ballet Giselle was created in 1841, it was not imagined to be performed by men and women of color, Black men and women. In 1984, Dance Theatre of Harlem Co-Founder Arthur Mitchell changed that. The acclaimed DTH production of this classic, Creole Giselle, was re-conceived by Arthur Mitchell and staged by Frederic Franklin, based on the original by Jean Coralli and Jules Perrot

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6/7/20 O&A NYC LOCKDOWN CONCERT: Alvin Ailey American Dance Theater: Chroma, Grace, Takademe, Revelations (2015)

Alvin Ailey American Dance Theater performs a full live evening of dance. In this 2015 Lincoln Center at Home rebroadcast. the works presented include:  Chroma by Wayne McGregor ‘Grace,’ Artistic Director Robert Battle’s ‘Takademe’ and the company’s signature work Revelations choreographed by company founder Alvin Ailey.

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6/1/20 O&A NYC DANCE: Spectre de la Rose- Rudolph Nureyev and Denise Jackson

DeniseJacksoninLeSpectredelaRose197Le Spectre de la rose (English: The Spirit of the Rose) about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball.  Continue reading

5/22/20 O&A NYC SHALL WE DANCE FRIDAY: A Conversation With Calvin Royal III- The Best Is Yet To Come

By Walter Rutledge

 

On an unseasonably cold Sunday April morning Calvin Royal III met my at the East Harlem storefront dance studio of Robin William’s Uptown Dance Academy. The interview was in conjunction with his first upcoming New York City season as a soloist with American Ballet Theater (ABT). This also marked the first time in over two decades a black man ascended to the rank of soloist with ABT. Continue reading

(Repost) 5/8/20 O&A NYC SHALL WE DANCE FRIDAY: The A- Z of Dance

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A-Z of Dance shows you how to set hearts alight and clubs on fire. Shot on the streets and rooftops of sunny LA, float like an Arabesque, spin like a B-Boy, wobble like a Chicken Noodle Soup… it’s time to step up! In a very special project for i-D and Diesel, director Jacob Sutton has captured the world’s hottest dancers walking in the air in their Jogg Jeans and cut-offs.

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Lil Buck shows us the way of Memphis Jookin. Super-thighs Nicole the Pole – star of Rihanna’s Pour It Up video – takes us to a whole other level. And fresh from the Rick Owens catwalk, the Soul Step team show us how to dance to Le1f. Continue reading

11/20/21 O&A NYC SATURDAY MORNING CONCERT: Louis Johnson’s Forces of Rhythm (Excerpts) Dance Theatre Of Harlem


Louis Johnson’s ballet, Forces of Rhythm choreographed in 1971, became a signature piece for the Dance Theatre of Harlem. Company. Johnson blended ballet, jazz, modern and West African dance creating a unique movement collage, which distinguished the company’s versatility. Forces of Rhythm took place alongside the works of George Balanchine, Arthur Mitchell, Geoffrey Holder, and other choreographers for the fledging ballet company. Continue reading